 Photo by Cheryl Gerber Rappers Sissy Nobby and Big Freedia perform at One Eyed Jacks with Katey Red. |
In 1999, Katey Red — the transsexual rapper from the Melpomene
Projects — definitively stepped — with a size-12,
well-pedicured foot — onto the scene with her first release on
Take Fo Records, Melpomene Block Party. A decade later, Katey's
presence has not only endured, it's grown, spawning a clutch of sissy
rappers who've followed her lead to create a popular and fascintating
subculture within the bounce world.
Katey's popularity in the local underground rock 'n'
roll scene has to some extent paralleled her rise in the bounce
community. Shortly after the release of her second Take Fo album,
2000's Y2Katey: The Millennium Sissy, Katey played a few gigs at
the Spellcaster Lodge. A speakeasy club run out of organist Mr.
Quintron's Bywater home, the Spellcaster is known for its eclectic
bookings. Over the past decade, artists from Jon Spencer to local rap
group the Block Burnaz have graced the basement corner that passes for
a stage. But even 10 years after the fact, Katey's first shows there,
which turned many local punk rockers and bohemians onto bounce for the
first time, remain some of the most memorable. New Orleans' rock and
rap audiences hardly ever overlap, at least on the grassroots level,
but Katey — partly due to the Spellcaster shows, as well as a
slot at the 2001 Jazz Fest — has slowly been building a crossover
audience.
Galactic's Ben Ellman was in attendance at one of those
shows, and he's remained a fan ever since. In late 2008, he finally got
a chance to get the rapper in the studio.
"We wanted to work with some cool underground New
Orleans people," he says. "And ... I mean, she's Katey Red."
Galactic's 2007 release From the Corner to the
Block featured collaborations with some of the band's favorite
rappers. The band's newest project will be another collaborative
effort, says Stanton Moore. This time, local stars include Irma Thomas,
the Morning 40 Federation and Katey Red, who made a surprise appearance
onstage with the band at Tipitina's on New Year's Eve.
In the studio, Ellman worked with Katey — who
hadn't rapped with a live drummer before — over a classic bounce
beat, then worked her vocals into the band's mix.
"We sent her the track ahead of time, and she came to
the studio with a bottle of vodka," Ellman says. "She drank some vodka
and got going. We left her in the room with the track and she just sat
down and wrote." Onstage at Tip's, Moore played his bounce-inspired
beat live over the prerecorded track while Katey freestyled.
"People were sort of confused and then excited," says
Ellman, who hopes to work with Katey again. "She really threw
down."
Katey Red, Big Freedia and Sissy Nobby — the
latter two being the current top acts in New Orleans bounce — are
enjoying an increase in their fame outside of the South. In September,
XLR8R magazine ran a multi-page fashion spread featuring the
three sissy rappers. With the release of the new Galactic album,
planned for fall 2009, sissy bounce looks poised to reach a whole new
audience worldwide.
Katey Red, Big Freedia and Sissy Nobby's "Sissy Sweetheart
Ball"
10 p.m. Sat., Feb. 14
One Eyed Jacks, 615 Toulouse St., 569-8361; www.oneeyedjacks.net
Tags: Katey Red, Big Freedia, Sissy Nobby, Sissy Sweet-Heart Ball
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